The two songs of Sanremo that I wanted to write and that remained in my heart?
Surely "Gli uomini non cambiano" brought by a superb Mia Martini in 1992, where she sings wounds and scars of the relationship with men.
The other is certainly "Sulla porta" by Federico Salvatore from 1996; it speaks of a son who confesses to a mother, already aware but not inclined to indulge him, his real sexual nature. The boy of the song reminds the mother of all the devices used by the same to hide from the eyes of the people the homosexuality of the child and frees himself by shouting all his dissatisfaction and his desire to let everyone know his nature. Of a unique delicacy.
Bigazzi has written poems that touch the heart.